几度夕阳红电视剧9.8

对比旧版除了借用了其概念人物设定和剧情架构都有很大区别尤其是所影射的现实问题旧版是大量着墨于大型军工企业与警权的冲突新作聚焦在控制舆论以致影响立法和机械人意志的博弈整部片下来很工整几度夕阳红电视剧就是不如老版惊艳造型与镜头剪辑等等都没有突破五分

凯莉·雷查德有极强的视觉思维擅长只言片语形成戏剧张力用留白表现人物内心的波澜不惊丰满人物；给主角妻子短短不过20s内心感情戏无比饱满这就是导演力量的强势所以估计难以处理复杂剧本也算是种制约

有言志味道但整體效果一般；探討人與科技間的關係几度夕阳红电视剧只是點到即止；呈現警隊的腐敗與政治的考量亦只是輕描淡寫；動作場面是比舊作宏大但失去舊作的暴烈與爆發力

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

比起上世纪的《几度夕阳红电视剧》差得远形散神也散流量们的演技太尴尬了